Corporate social responsibility Essay Example | Topics and Well Written Essays - 4500 words

Corporate social responsibility - Essay Example Some theorists as well as practitioners describe CSR as a form of corporate compliance with the spirit and the letter of the law; or, as a business approach that takes into account the manner in which the organization’s activities impacts upon its different stakeholders (Nehme & Wee, 2008:129). Pursuant to its legal mandate, CSR is seen as a condition where the corporation acts as a free agent of the state, to the extent that the expressed social objectives are imposed on the corporation by law (Manne & Wallich, 1972, p. 40). On the other hand, more than just compliance with legal mandate, CSR is also thought to pertain to the corporation’s efforts above and beyond regulatory requisites, in effect finding an equilibrium between the needs of stakeholders on one hand, and those of making a profit for the investors in the other (Nehme & Wee, 2008:132). CSR is â€Å"[a] concept whereby companies integrate social and environmental concerns in their business operations and in their interaction with their stakeholders on a voluntary basis† (European Commission, in Nehme & Wee, 2008:131). CSR, from a market viewpoint, has been identified as a source of competitive advantage, as the company explores ways of approaching and engaging with their stakeholders (Corporation and Market Advisory Committee, 2006). â€Å"CSR is the result, implicit or explicit, of the nature of a firm, its role in society, and its relationships with its internal and external stakeholders† (Argandoà ±a and Hoivik, 2009, p. 229). The same activities, it is observed, may be undertaken whatever theory is adopted, as even community-focused activities may actually be undertaken in the service of corporate interests – a form of market development effort. Nevertheless, embarking on these activities which do not directly comprise the company’s main business operations are taken to be external manifestations of the company’s CSR program. Ever since the advent of

US Correctional System Essay Example for Free

US Correctional System Essay A correctional system is a network of legal agencies with granted authority to make pronouncements on legal issues geared toward administration of justice within a prison setting or a parole system. The goals of this system are to punish the perpetrators of criminal activities through various mechanisms, to protect the general population from harms associated with crimes, and finally to transform criminals into responsible, law abiding and productive citizens through well structured rehabilitation programs. This paper will focus on how the correctional system is utilized to achieve the above mentioned objectives and investigate which strategy between punishment and rehabilitation is the most effective in reducing crime. Punishment of those proved guilty of bleaching the law is a major goal of the correctional system and serves as a deterrent against one repeating an offence in addition to suppressing criminal thoughts of others who might be contemplating evil (eHow, Inc, 2010). A good number of mechanisms are applied and incarceration is the most common. It entails imprisonment or confinement of criminals in facilities such as prisons, local jails for persons convicted in state courts, federal prisons for those convicted in federal courts, and several residential institutions including training schools for juveniles. Another form of punishment is probation which is a sentencing option for offences of lesser magnitude and offers a second chance to first time offenders to reconstruct their behavior. Criminals who serve under this sentence have been convicted of crimes but have served only a part of the sentence in prison or not at all. Persons on probation are required by the court to adhere to certain conditions and guidelines under the supervision of a probation officer. These conditions include abiding to a curfew, living at a specified place or not leaving the jurisdiction at all, subjection to community service, and obeying the orders of the probation officer among other conditions. Probation can be seen as a suspension of a sentence during which, the offender is accorded liberty conditioned on behavior change with the state having the obligation of assisting the offender to maintain commendable conduct (Sutherland, Cressey Luckenbill, 1992). Death penalty as a form of punishment was re-instated in 1976 and it is almost exclusively used for crimes of murder (Bryant, 2003). Over the course of time, several amendments on this law have been made with several states implementing new laws which allow death sentence for the rape of a minor. Other statutes allow death penalty for non-murder crimes including treason, placing a bomb near a bus terminal, aircraft hijacking, and drug trafficking, among others. Different methods of execution have been prescribed by the federal government and the 37 states that have statutes allowing death penalty (Regoli Hewitt, 2009). These methods are electrocution, lethal injection, firing squad, hanging, and lethal gas, though no states provide for either of the last three as the sole method of execution. Rehabilitation is an approach entrenched within the correctional system and is meant to punish offenders in a more positive way with the understanding that the offenders are sick and require gradual cure and reconstruction of their moral and social discipline before their release. This strategy is taken to be an effective mechanism of shifting a criminal from being a liability to the society to being an asset. It can be accomplished through vocational training, drug rehabilitation treatment, and counseling (eHow, Inc, 2010). Vocational training for instance offers criminals a chance to acquire a variety of job skills which consequently shapes them into productive members of the society and helps them to fight hopelessness, lack, and low self esteem which they might be struggling to overcome. Counseling is also a viable method of rehabilitating criminals and can be done either individually or in groups. Group counseling aims at triggering a positive influence among criminals by sharing the wide niche of experience from its members. Group activities and interactions also help significantly in providing solutions to the problems among peers such as how to break links of ealier relationships with undesirable people. Drug addiction and alcoholism is also a menace that has jeopardized cohesive existence and has threatened state security. There are a staggering number of drug rehab centres whose goal is to assist drug addicts and alcoholics heal physically, mentally, socially and spiritually and re-establish themselves in a drug and alcohol-free setting (treatment- links. net, 2010). To a great extent, capital punishment and long term imprisonments play a significant role as deterrent and incapacitation approaches against crimes. However, these strategies do not serve to heal the society from all facets of social relationships. According to Braithwaite, a legal system that relies on punishing criminals as the major approach of curbing crime, is destined for failure since it does not incorporate the voice of the victim (2002). From my point of view, the rehabilitation approach carries a lot of potential in reducing criminal activities as it provides the criminal with a second chance of becoming a better and resourceful person through acquisition of skills and advice that fits his or her needs. Rehabilitation scores a major goal of ensuring that the offender gets a chance of acquiring some form of education, phsycological support, and treatment in case of drug addiction. Consequently, this can be more effective in eradicating the urge to go back to criminal activities. In addition, rehabilitation generates a sense of healing and new life both to the offender and to the community after successful reformation. With regard to punishment, fear of being punished does not offer any better solution to criminal activities Braithwaite(2002). Rehabilitation therefore goes an extra mile in meeting the goals of the correctional system. References Braithwaite, J. ( 2002). Restorative justice and responsive regulation. Newyork: Oxford University Press US. Bryant, C. (2003). Handbook of Death and Dying. New Orleans: SAGE. eHow, Inc. (2010).Role of the Correctional System. Retrieved June 4, 2010, from http://www. ehow. com/about_5087269_role-correctional-system. html Regoli, R. , Hewitt, J. (2009). Exploring Criminal Justice: The Essentials. Boston: Jones Bartlett Learning. Sutherland, E. H. , Cressey, D. R. , Luckenbill, D. (1992). Principles of criminology. Newyork : Rowman Altamira. treatment-centers. net. (2010). Drug Addiction Treatment Centers, Alcohol Rehab Programs, Dual Diagnosis and Addiction Treatment Resources. Retrieved June 4, 2010, from http://www. treatment-centers. net/

Comparison of Post War Poetry

Comparison of Post War Poetry Write an essay comparing John Agards, ‘In Times of Peace, and Fred DAguiars, ‘War on Terror: The post-war Caribbean Diaspora, and its attending aesthetic rise in poetics, is rooted in a celebration of paradox in the disorientation and anxiety of a conflicted cultural identity, and consequentially, the self-examination and inspection it provokes. John Agard and Fred dAguiar are no exception as both are of Guyanese origin, and both find themselves exploring the present in Britain, a present submerged in social and political turbulence to which the war in Afghanistan is inextricably linked. We find ourselves in a divided Age, wherein troubadours and poets no longer scribble from a faraway trench nor enlist at all, but instead fight in a socio-political arena against seemingly endless cavalries of disillusionment and bureaucratic control. The stanzaic Rebel-Yell is, today, battling alienation on a pseudo-home front orchestrated by vast and impersonal forces, and as a result Fred dAguiars proclamation, that â€Å"home is always elsewhere†, speaks volumes for our current c ondition. Agard and dAguiar, poets capable of fusing deep imagination with cultural and political realities, seem at once relevant voices in their potential to shed light from a paradoxical insider-and-outsider perspective. Traditionally, Agard and dAguiar have displayed firm grasps on iconoclastic satire and political criticism. Their poems, ‘In Times of Peace and ‘War on Terror, respectively, stay true to this tradition while sharing many other themes including; the psychological impact of modern warfare, dislocation, ambiguity, transience, and more. For every similarity however, there are differences, most profoundly in tone. Where ‘War on Terror is overwhelmingly elegiac with overtones of nostalgic resignation, ‘In Times of Peace seems defiant and provocative. Through these and other varied vehicles, the poems arrive with the same didactic intention of moving us into a vital awareness and inquisitiveness. Even at a first glance, the structural differences between the two poems are as striking as they are reflective, in that we are faced with the juxtaposition of dAguiars aesthetic minimalism and Agards erudite precision. In ‘War on Terror, the total exclusion of punctuation acts out the role of persistent catalyst for interpretation. The lack of direction created, while being profoundly symbolic of the convoluted war itself, also provokes an active readership in which the audience is forced into subjectively expressing the framework of the poem. This provocative absence almost constructs a dialogue between reader and poet, a poetic conversation and revelation free of political rhetoric but instead promoting personal understanding and endless possibilities for expression. Along with this understanding though, extreme ambiguity the ‘fog of war is ever-present and is only accentuated by the final non-conclusion. The fact that the last line is left open-ended leaves an after -taste of â€Å"nightmare†2 discomfort, wherein the ambiguously prosperous war remains unanswered for and closure is left unfound; thus this purposeful omission aims for a metaphorical rereading and search for answers. In contrast, John Agards deliberate inclusion of question-marks as the only punctuation lends to a more direct approach whereby he automatically denies any degree of finality or certainty, but in its place offers us the right questions. This careful placement, in conjunction with an apocalyptic ‘falling trochaic metre, draws attention to the gravity of the questions being asked, or the questions that should be asked and answered. Tension seems to rise as ‘In Times of Peace progresses along a series of internal-rhymes, with each quatrain growing closer to a complete Canzone verse a relatively archaic form traditionally reserved for the tragic, comic or elegiac in subject; and is therefore not out of place here. In this way, as the rigidity of Agards confrontation symbolises the homogenous production-lines of Capitalist war, dAguiars free-verse compliments the lack of punctuation in projecting a disquieting awareness of entropy3. Both poems display a deviant anaphora, with equally significant effects. In ‘War on Terror the repetition of â€Å"as long as†2, and more consistently, â€Å"long†2, serves both to provide changing states of time and perspective, and to emphasize the severity of the paradoxical â€Å"shorter†2 in the final stanza. The theme of Time and transience is abundant throughout, with the first and second stanzas introducing a conceit paradox that will be elaborated upon gradually until echoing indefinitely in the open-ended stanzaic non-conclusion. Before doing so however, the somewhat surrealistic inclinations of â€Å"paint behind the eyeballs†2 and plethora of functioning tropes succeed in defamiliarizing the reader from the mass-media-desensitization to ongoing war, so to give way to the abrupt and dire realities where â€Å"nightmares paint†2 Post Traumatic Stress disorders and the next generation dies for todays conflict â€Å"in their sleepâ₠¬ 2. The sense of time and relative transience is propelled by the changing metaphors and perspectives of short long, of â€Å"as long as a piece of string†2 contradicted by â€Å"no longer than a piece of string†2, of â€Å"as long as nightmares†2 juxtaposed with the evanescence of â€Å"paint†2. Mutually, ‘In Times of Peace uses the complexities of Time within the words, â€Å"begin†, â€Å"all there is†, â€Å"wilting†1, and urgent questioning of â€Å"are eyes ready†1, to create a sense of immediacy. Anaphora in Agards poem comes in the form of quantifiers and adverbs (â€Å"that†, â€Å"how†, â€Å"when†1) at the beginning of lines, enabling continuity of the inquisition. Figurative use of grammar is likewise found in dAguiars elegy as, in the final stanza, possessive pronouns of â€Å"this†, â€Å"our† and â€Å"their†2 are wielded to illustrate identity and allegiance â €Å"this war in this time under this government†2 not only projects a feeling of detachment and sterile anonymity, but the inclusion of â€Å"under†2 proposes a deeper anomie, oppression and inhumanity. Contrastingly, â€Å"our children†2 evokes a possessive responsibility just as, â€Å"their sleep†2 exemplifies a human right to self-ownership (of fate). The theme of inhumanity, or even sub-humanity, is moreover exposed when the only alliteration, a signpost for natural fluency and regularity, can be found in the nostalgic â€Å"tamarind tree† and â€Å"child crying†2. Furthermore, the incongruous imagery of â€Å"radar† and â€Å"whale†2 is rooted in irony, subjectively interpreted as a comparison between the natural purity of the whale, and the disturbing ‘new nature of technological man. This metaphor finds its feet most dramatically in Agards commentary, where the conceit metaphor throughout is that of modern-man cha nging or devolving into something unrecognisable. Via anatomical referencing of â€Å"finger†, â€Å"skin†, â€Å"feet†, â€Å"bodies†, â€Å"hearts†, â€Å"human arms†, â€Å"ears†, and â€Å"eyes†1, Agard contemplates the long-term impact of cross-generational war on human nature4. The alliteration of â€Å"at home in heavy boots†1 brings us to question whether the nature of modern humanity is rooted and reliant on war, leading onto our â€Å"stepping over bodies†1 to draw attention to ruthless Capitalist careerism, and finally questioning how we will â€Å"cope with a bubble bath†1 and whether terminal damage has been done and the notion of ‘peace is no longer relevant, but has been reduced to obscurity, to theory and vagrant optimism. Alliteration is present again in the orality of â€Å"bullets blood†1, but as if awakening in a violent realisation the fluency is halted abruptly by the line -ending â€Å"rush†1. These dystopian visions remain central to the satirical and sceptical comparisons of index fingers with â€Å"skin†, â€Å"feet† with â€Å"foam†, â€Å"arms† with the ironic â€Å"death of weapons†, and â€Å"ears† with the romantically-natural imagery of â€Å"wings†1. Considering these interpretations, the audience can find echoes of Rousseauian6 humanism in both Agard and dAguiars outlook on an anaemic mechanised society. Within our psychological black comedy, our â€Å"Parade Sauvage†7, refuge can be found in the rarity that is the autonomous realm of poetry no social compromise is offered, no empty promise, but in their places stands a state of rare human equality and mutual exploration. John Agards ‘In Times of Peace bares the ugly reality of our ‘evolution into the modern Prometheus by veiling serious musings, of the notion of Peace as a still-tangible possibility or a faded and fellatious mirage, with a darkly comical satire. Fred dAguiars ‘War on Terror, a title made metaphorical by its origins in mass-media and governmental reasoning, reflects upon the long-term consequences of war and leaves, open-ended, the prospect of a predetermined and doomstruck fate for our next generation of children. Appendix: Notes: 1. From focus text, John Agards ‘In Times of Peace 2. From focus text, Fred dAguiars ‘War on Terror 3. The focus poems both mirror each other in a stanzaic capacity for debate, with ‘In Times of Peace separated into three thematic sections of ‘War vs. Civilian Life (first and second stanzas), ‘War vs. Love and Soul (third stanza), and ‘Traditional Nature vs. New Human Nature (fourth and fifth stanzas). Fred dAguiars ‘War on Terror can be stanzaically split into two balanced faces of paradoxical Time, ‘the Indefinite (first and second couplets) and ‘the Definite (fourth and fifth couplets). 4. â€Å"The number of former servicemen in prison or on probation or parole is now more than double the total British deployment in Afghanistan†, and an â€Å"Estimated 20,000 veterans are in the criminal justice system, with 8,500 behind bars, almost 1 in 10 of the prison population†. Travis, Alan, ‘Revealed: The Hidden Army in UK Prisons, The Guardian, 25 September 2009, p.1. 5. Roberts, Neil, A Companion to Twentieth-Century Poetry (Oxford: Blackwell Publishing Ltd, 2001) pg. 583. 6. Rousseau, J.J, The Social Contract (London: Penguin Group, 1968). 7. Rimbaud, Arthur, Complete Works Selected Letters, Bilingual edn (Chicago: The University of Chicago Press, 2005) pp. 314-317. Bibliography: Silkin, John, The Life of Metrical and Free Verse in Twentieth-Century Poetry (Basingstoke: Macmillan, 1997). Roberts, Neil, A Companion to Twentieth-Century Poetry (Oxford: Blackwell Publishing Ltd, 2001). Lennard, John, The Poetry Handbook, 2nd edn (Oxford: Oxford University Press, 2005). Rousseau, J.J, The Social Contract (London: Penguin Group, 1968). Focus Text: Approaching Poetry U67010 Module Handbook Semester 1, 2009-10: Agard, John, ‘In Times of Peace DAguiar, Fred, ‘War on Terror

White Attitudes Towards Nature Essay -- Racial Relations, Indian, Whit

In Luther Standing Bear’s â€Å"Nature† and Louis Owens’s â€Å"The American Indian Wilderness†, the authors dictate differences in Indian and white relationships with nature. They stress how Indians see nature, their balanced relationship with it, and how they know wilderness is just a European idea. Though agreeing here, Standing Bear focuses on the Lakota view of how Indians truly lived while Owens reveals both sides and thinks white views can shift with time. Standing Bear thinks the difference in how whites and Indians see nature stems from childhood. He believes Indian children are aware of nature because they have been taught to â€Å"become conscious of life† and spend time just observing the wild things around them (9). By seeing the world this way, their love and respect for it flourishes (Standing Bear 10). This appreciation sharply contrasts to ignorant whites who foolishly play as children, ignoring everything but each other, and grow up disregarding the knowledge nature gives and viewing it only as something to use. He says whites are bored with nature because they do not have the â€Å"Indian point of view† (11). This distance whites have from nature harms their relationship with nature and humans, making them less compassionate when they do not see that â€Å"man’s heart, away from nature, becomes hard† (12). Similarly, Owens says whites see nature differently because of childhood experiences. Instead of growing up in nature daily, white children go on sporadic vacations camping, and thus view nature as a tourist attraction instead of a second home. He states Indians embrace nature because it has a stronger family significance to them that whites do not see. Indians call the Cascades the â€Å"Great Mother† because of stories they have hear... ...e two races â€Å"could not understand each other† (Standing Bear 12). On the other hand, Owens has hope for whites because he did not grow up with Indian traditions. He has seen whites preserving nature when he was sent to burn the shed, so even though they do not yet understand it he has hope that they can one day appreciate it. Indians understand and value nature more than whites and these authors recognize that. They believe the trouble with white attitudes is they do not truly see nature or form a harmonious relationship with it, and whites think they can be separated from their idea of wilderness. Although Standing Bear is critical of whites and believes they will never change, Owens thinks they will if they continue to redefine how they view nature. Overall, both authors want whites to respect the Indian view of nature and aspire to see it that way also.

Death Penalty Essay Introduction Essay

A death penalty is one of the oldest corrections familiar to mankind. Strictly speaking, it was applied even before the criminal law appears in a modern sense of the word. One of the problems worries not only lawyers but a whole society, causing a lot of discussions, disputes and debates, was and still is an issue of execution. At the moment, its relevance is also connected with the fact that now a lot of states are going to soften own legislation, abolishing the supreme penalty. In this connection, a question arises as to validity and admissibility of its application. The presence or absence of the capital punishment is a kind of indicator of culture and quality of life, security and public mentality. That is why in socially and economically well-off countries, the death is much calmer, philosophically, not as exaggerated as in unsettled states. The relevance of such an investigation is due to the matter that much is said and written, confirmed by judicial and extrajudicial practice regarding severe punishments as never frightening things. This is explained, first of all, by the fact they were most frequently applied to criminals who, for various reasons, either did not fear death or ignored it. An attitude of mass consciousness to the capital punishment and scale of its usage serves as a barometer of the community’s morality, its social and mental health. To date, 111 countries have abandoned it, but there are still many governments that have resorted to it so far. Each state faces such dilemma: should the death penalty be applied as discipline for especially serious crimes or adhere to the principles of humanism? How effective is it? How does the public opinion influence the abolition or retention of similar penalty? A modern society was divided into two camps. Each of the groups has enough weighty arguments, which it is difficult to disagree. The main motives of supporters of execution are its preventive nature, economic feasibility, and justice of retaliation. In other words, a lot of citizens consider the rule of mutual murder as justified. An alternative point of view also has its justifications and deserves no less attention. Opponents of capital punishment point to an imperfection of the judicial system and its frequent mistakes, an inconsistency of the indicated problem in the context of international law, financial costs, as well as doubtfulness of a preventive effect. In light of increased terrorist attacks, there was another argument like suicide bomber did not scare death. Perhaps, only organizers of the attacks themselves are not in a hurry to part with life. And for them, an execution is a quite likely outcome. However, outraged public opinion requires a fair impact on the offenders and does not want to tolerate the facts of insufficiently severe sentences or an abandonment of life by dangerous, incorrigible criminals. And no matter how incompetent, uncivilized it may be, it cannot be ignored. Otherwise, instead of verdicts, according to the law and the court, a â€Å"punitive presumption† of the population begins. Thus, there can be no unequivocal decision on the issue of death penalty. It affects political, legal, socio-economic, moral-religious, cultural-psychological and other spheres of activity. There are criminals who do not deserve life, but punishment is not all-powerful. Since criminality is of a multilateral and deep nature, the measures to struggle against it must also be complex.

PInk Flamingo

The sass was a period of spunk, pizzazz, and flashy colors. In 1957, Don Featheriness had designed the attention grabber of the generation- the plastic pink flamingo. The lawn d ©corn had originated from the pretty, pink-feathered wading bird. In her recent essay The Plastic Pink Flamingo, Jennifer Price explains that flamingos have always been animals that have attracted attention, similar to the flamingos,Price believes America is a country that wishes to capture the spot light in the world. Price also claims that as the Great Depression came to an end, bright colored objects began to emerge into the United States, including the plastic pink flamingo. Throughout her essay Price reveals that her view of the American culture is that America was finally coming out of the Great Depression era so they focused on changing the countries culture and making It stand out.Since the sass, when the Declaration of Independence was signed, America soused on being a country different from any ot her country. The establishment of religious freedom was the key aspect that separated the united States from the other countries- America propelled itself to stand out. Likewise during the sass, Featheriness design had similar elements to the call of religious freedom; the plastic pink flamingos emerged Into being the hottest Item In America, simply by Its color. While the rest of the world laid on bland colors, America 11th Itself with luminous ones.In her essay Price stated, Kraal Ann Marling had written, the Sassy pinks' were the Panache 2 hottest color of the decade†. The jazzy pink flamingos had formed their own generation In America- a generation that put the country in the center of the world. A translator from one decade to another can be a huge leap In some Instances. During the sass the Great Depression had hit America like a plague. Times were dark and dull; hence when the pink flamingos flew into the country, Americans were filled with light in their eyes.In The Pl astic Pink Flamingo Price wrote, â€Å"The hues were forward- working rather than old fashioned, Just right for our generation, raised in the Depression, that was ready to celebrate its new affiance†. The flamingos settled after the Great Depression- a time when the country seemed Insipid and out of color, as soon as the Depression ended bright colors began to burst Into the alarm changing the generation, one to another. The plastic pink flamingos had taken a turn in history when they arrived during the sass.The plastic flamingos brightened the streets of America with lucid colors. In The Plastic Pink Flamingo by Jennifer Price, Price explains that the pink birds are known to stick out amongst Its fellow birds, likewise Price believes that America would Like to stand out amongst the other countries In the world showing Its the Depression broke through, a whole new generation began to emerge- a generation of change. The arrival of the false flashy flamingo was a movement for A merica to shift away from the past, reform the countries culture, and to stand out in the world.

Quotes About Courage From the Cowardly Lion

Quotes About Courage From the Cowardly Lion The Cowardly Lion from The Wizard of Oz lives up to his name, at least at the beginning of the 1939 film. We eventually learn that hes not really a coward;  rather, he thinks he is  because he doesnt ​believe in himself. Before all is said and done, the Cowardly Lion performs several courageous acts without realizing his bravery. The Cowardly Lion Is Caught Faking Bravery The first time  the Lion encounters Dorothy, the  Scarecrow,  and the Tin Man, Dorothy smacks him on the nose for being a bully. She quickly realizes hes all bluster: Dorothy:  My goodness, what a  fuss youre making! Well, naturally, when  you go around picking on things weaker than you are. Why, youre nothing but a great big coward!Cowardly Lion:  [crying] Youre right, I am a coward! I havent any courage  at all. I even scare myself.  [sobbing]  Look at the circles under my eyes. I havent slept in weeks!Tin Man:  Why dont you try counting sheep?Cowardly Lion:  That doesnt do any good, Im afraid of em. The Cowardly Lions Funny Fear Quote The Cowardly Lion doesnt usually let his nervousness keep him from doing the right thing. He has a sense of humor about it, too. In one scene, he wants to be brave and save Dorothy  but has to make a joke first: Cowardly Lion: All right, Ill go in there for Dorothy. Wicked Witch or no Wicked Witch, guards or no guards, Ill tear them apart. I may not come out alive, but Im going in there. Theres only one thing I want you fellows to do.Tin Man and Scarecrow: Whats that?Cowardly Lion: Talk me out of it! The Cowardly Lion Shows His Bravery By the time he encounters the Wicked Witchs palace guards, the Lion has had enough. If hes afraid, he doesnt show it (we suspect that he is but is putting on a brave front): Cowardly Lion: Put em up, put em up! Which one of you first? Ill fight you both together if you want. I’ll fight you with one paw tied behind my back. I’ll fight you standing on one foot. I’ll fight you with my eyes closed...oh, pullin’ an axe on me, eh? Sneaking up on me, eh? The Cowardly Lions Thoughts on Courage In his most famous song, the Lion muses on what it would be like if he had courage (not realizing he already has plenty): Cowardly Lion: [singing]Im afraid theres no denyinIm just a dandy-lionA fate I dont deserveIm sure I could show my prowessBe a lion, not a mouseIf I only had the nerve Just before meeting  the Wizard in the Emerald City, the Cowardly Lion muses about what it would be like to be the king of the forest,  imagining that everyone would respect and fear him: Dorothy:  Your Majesty, if you were king, you wouldnt be afraid of anything?Cowardly Lion:  Not nobody! Not nohow!Tin Man:  Not even a rhinoceros?Cowardly Lion:  Imposerous!Dorothy:  How about a hippopotamus?Cowardly Lion:  Why, Id thrash him from top to bottomus!Dorothy:  Supposing you met an elephant?Cowardly Lion:  Id wrap him up in cellophane!Scarecrow:  What if it were a brontosaurus?Cowardly Lion:  Id show him who was king of the forest!